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By Aaron 1/23/2008

Fox’s new show, Terminator: The Sarah Connor Chronicles, got off to a great start two weekends ago with an episode on Sunday and Monday. It’s taken me a long time write this, because I have been really busy, and I wanted to do a good job. So. The two hour premier shows Sarah Connor (Lena Heady) and her son John (Thomas Dekker) about to settle down with Sarah’s new fiancé. But Sarah freaks out about the commitment she made and has John pack up ship and hit the road. Unfortunately Sarah’s fiancé can’t swallow that Sarah bailed on him and goes to the police, who call in an FBI officer (Richard T. Jones) hot on Sarah’s trail, now armed with the alias she was using. And just like Linda Hamilton’s Sarah Connor beat into John in the first three movies, once the name is in the grid, “they” can find you. When Sarah foolishly fails to change aliases when they set up a new life, both the police and the terminator close in. John starts school and is pleased when a beautiful classmate, Cameron (Summer Glau), takes a sudden interest in him. But when the substitute teacher from hell – a terminator – takes some literal shots at John, Cameron saves his life, revealing herself to be a “good terminator” when she utters the classic, “come with me if you want to live.” Aided by a new friend and chased by a new foe, Sarah and John flee once more, prompting John to snap, exclaiming, we have to end this now. So with help from Summer, Sarah and John set out to shut down SkyNet before it’s even born.

I’ve been a big fan of Lena Heady since I saw Imagine Me & You and she was one of the big reasons I was excited to catch the show. Not quite sure what I expected, but Lena Heady was great. She makes a great Sarah Connor. The intensity that soaks permeates her character is much more, I’m-doing-this-for-John, than it is, I’m-really-crazy. Which although Linda Hamilton certainly tried to exude the former, it seemed like she was more often in the latter. It also helps that Lena Heady is significantly more attractive. Just like T2, the show uses narration throughout the episode to let the viewers inside Sarah’s head. Unlike the movie though, the show avoids inefficient, overly artistic abstract flourishes in favor of concise, yet powerful, monologues.

I really liked Edward Furlong’s John Connor. Sure, he came off as a prick sometimes, but I liked that. Maybe I liked him a lot more after I saw American History X, but I liked him in the role – a lot more than I liked Nick Stahl. But this John Connor comes off as a whiny b**ch. What drives their quest to end SkyNet now is basically just John’s complaint that he doesn’t think he can take the pressure or be a great leader. Sure, he’s still a kid, he’s nervous, etcetera. But come on, you’re JOHN CONNOR. As a teenage boy you’ve had more weapons and combat training than most soldiers. At least you know to hide behind cars until another terminator comes to save you from the one that’s trying to kill you.

So I was excited to see Lena Heady assume the role of Sarah Connor, but after seeing Serenity this summer, I was a lot more excited to see Summer Glau in ANYTHING. I wasn’t sure at first if I was going to like Summer as a terminator because she seemed too personable for a terminator. I loved the humanization of her because it offers so much potential, but the pilot seemed inconsistent here, and you have to remember that she is literally a killing machine. I definitely like her a lot more than Kristanna Loken because of her facial expressions. While Loken was simply boring, nothing more than a hot body executing a weak script, Summer’s routine that she learned as Serenity’s killing machine work perfectly here as John’s killing machine. Her potential backstory is also extremely interesting. For one a quick look online reveals Cameron to be a T888 model while Arnold was a T800 model in T2. The reveal a few of Cameron’s new features, but leave open the possibility of things like emotions and feelings that frankly, do not seem to be such a stretch. Also, Cameron was clearly high up in the resistance with John before she was sent back because she exhibits in-depth knowledge of John then (the future) and now (the “present”). I think it is more likely she got this knowledge from being close to John then from programming because questions about information not germane to her mission were answered with, “I wasn’t programmed for that.”

Generally the show does a lot of things right. The music was a mix of music in the vein of the first three terminator movies with a twist of the sort of music made popular by the Bourne movies. The action is pretty good for a TV show, but doesn’t really rise to the movie-level quality that will be hard for some fans to expect considering they were treated to cutting-edge effects over the course of three movies. The supporting acting is good too with the FBI character offering a lot of potential.

I have some general thoughts about the concept of the show. First, does it make sense story-wise? After watching the third episode I kind of realized that you have to take the whole thing with a grain of salt. I mean, it deals with time travel, robots, and an overarching antagonist that is a faceless computer system/virus. Sure, there are going to be some time-travel inconsistencies throughout the show, but you have to love it for what it is. Second, the thread on the possibility of a relationship between Cameron and John has been going crazy. Can a terminator and a human have sex? I mean, do the mechanics make sense? I think it is. I mean, she’s a newer model than the classic T800 that Arnold was. I know it’s a stretch, but it is possible. Can they have an emotional relationship? Definitely. They clearly have a close bond that was established even before Cameron met him, kind of implying that Cameron had an emotional attachment to John in 2029 (or whenever). Third, can the franchise continue without Arnold? He was the perfect terminator because he was so stiff and emotionless in real life, so it all came naturally. The franchise survived departures of Linda Hamilton and Edward Furlong by consistently keeping Arnold in the picture. I think it is possible, quite frankly, because I love Summer Glau. Chalk up some other strong actors, namely Lena Heady, and you have a pretty good show going on. Fourth, and finally, will the show have a revolving door of villains with merely new ways to finish off the robots? I don’t think so. The show seems like it will be keeping the same robot villain for a few episodes, and they even somehow know his name – Cromartie.

The first two episodes raised a few questions. First and foremost, the concept that there were good amounts of humans and terminators sent back in time, sprinkled over the years, on both sides. If that was the case why did it never come up with the movies? The series also implies that Sarah Connor was the sometimes leader of a large resistance movement. Again, if that was true, why did Sarah never get help in any of the movies? Most of the rest of what actually happened in the episodes is already covered, but there were a few weird blips. Like the cheesy 9/11 reference, Sarah calling the terminators tin men, and the headless horseman antics of Cromartie. If I haven’t made this clear yet – I loved Glau. She was a bajillion times better than Kristanna Loken.

The third episode made me really happy. It showed a lot of strength. For one, it featured some good humor, not cheesy humor, but right on – like how Summer Glau was hilarious trying to be a high school student. There were also really good monologues where Sarah compares the creation of SkyNet to the creation of the nuclear bomb. The connections are not tenuous, but seem strikingly real. There is also great suspense that isn’t found in many TV shows today, especially with 24 not coming back. Luckily I have a new show to watch on Mondays.  Most importantly, John shows some real edge in episode three – showing some fire and confidence that seemed impossible in the first two episodes. This episode also brought up a few questions. First, how does Cameron gain info? I mean, she can obviously learn things, but she seems like a slow learner at times. Yet she tells John “she doesn’t sleep” when he asks how she knows something obscure, implying that she reads??? Yet to be resolved. Also, how will both sides speed up judgment day with the knowledge they share? With Cromartie essentially inventing a formula for rapid skin regeneration and Sarah asking lots of questions, can they actually facilitate a faster SkyNet? And there was one great line by a character who will never be in the show again when he tells Sarah, “don’t drive yourself chasing the future – you can’t predict.”


   

Bob’s October Movie Preview

By Bob 10/2/2008

Now that we have gotten through the sludge of September movies, it’s time for some Oscar contenders, and movies that think they’re good but not. Halloween is also this month so there is bound to be a lot of random horror movies going on and of course a Saw film to soak in. Whatever happens though, I’m gonna guess that at least one of the following gets some nods come Oscar time. With that, my October Movie Preview:

Cops, Robbers, and Blah

10) Pride and Glory: October 24th

From the director of Miracle comes one of the most clichéd trailers of ALL TIME. Edward Norton as A COP. Colin Farrell as HIMSELF. What more could we want from a movie? I don’t know, and I will likely never find out because this is not one flick I will be seeing.

9) Max Payne: October 17th

As I feverishly go through my mind trying to think of a video game adaptation that has actually been a good movie, I’m also reminded of all of the bad movies Marky Mark has made over the past ever (excluding The Departed and Boogie Nights of course). I would be shocked if there is anybody who is actually excited for this, as anybody who actually played the game has probably outgrown the genre.

8) Body of Lies: October 10th

Leonardo Dicaprio. Russell Crowe. Ridley Scott. Something about spies. The trailers really tell us nothing about this film except, “How am I supposed to run an operation when you’re running a side operation.” I don’t really know what that means, but Leo says it in the trailer. This film looks like another lame attempt by Ridley Scott and Russell Crowe to win Oscars. I’m not buying it.

7) Flash of Genius: October 3rd

Greg Kinnear stars as an man who invents the intermittent windshield wiper, and then has it stolen from him buy the major auto manufacturers. This just looks like a boring film that will get a lukewarm response. For some reason, however, it has been getting a huge level of marketing with television and even radio advertisements. I doubt people will buy it.

6) RocknRolla: October 10th

Guy Ritchie is back in the genre he knows best, and this appears to be an English gangster film much in the mold of Lock Stock and Snatch. We’ll see if he still has his stuff, but for now, I’ll just pop in my DVDs of the older films that I can trust, and look to be almost identical in plot to this one.

Movies that Intrigue Me

5) Changeling: October 24th

Angelina Jolie stars in this Clint Eastwood film about a woman whose son goes missing and is returned with something different. Any film that Eastwood directs (that’s not Flags of our Fathers of course) is worth checking out, and this looks to be no different. It got solid reviews with it premiered at Cannes, and Angelina Jolie is ready for a solid role.

4) W.: October 17th

A film that is certain to be the years most controversial, Oliver Stone directs this biopic about our current president. While I am sure Stone will exaggerate many of the details, there is no denying that he has put together an awesome cast including Josh Broling (as Bush), Elizibeth Banks (as First Lady Laura), James Cromwell (as his father H. W.), Richard Dreyfuss (as Cheney), Thadie Newton (as Condoleezza Rice) and others as the rest of his cabinet. Whatever happens in this film, it will certainly be interesting.

3) Synecdoche, New York: October 24th

A film that I have been awaiting since last year, this is Charlie Kauffman’s directorial debut. I have loved the films he has written (Eternal Sunshine of the Spotless Mind, Being John Malkovich, Confessions of a Dangerous Mind, and Adaptation. ) and this should prove to be equally compelling. It stars Philip Seymour Hoffman as a playwright who attempts to put on a production in a warehouse that includes a scale model of New York. It will probably boggle our minds, but that is Kauffman, isn’t it?

2) Nick and Norah’s Infinite Playlist: October 3rd

Michael Cera and Kat Dennings star as the eponymous Nick and Norah who meet each other one night in New York and have adventures. Something about the trailer really brought this movie to my attention, probably the indie style that I love. Cera is always great, and Dennings was really cool in Charlie Bartlett, so I might make my way to a cinema this week to check it out.

1) Zach and Miri Make a Porno: October 31st

Seth Rogen and Elizibeth Banks star as two best friends who decide to make a porno together. This is Kevin Smith’s first film since Clerks 2, and I can only hope that it matches that film in hilarity. The only thing I don’t understand, is why are they releasing this film on Halloween? I guess there is probably a Saw film being released anyways.