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  August '08


   

2008 Oscar Picks

SaltyStix Staff

Here are the consensus picks of the SaltyStix staff for the Oscars. Winners will be posted as they are announced.

 

Category Aaron AJ Bob Brett Winner
Animated Ratatouille Persepolis Ratatouille Ratatouille  Ratatouille
Adapted Screenplay The Coens (No Country for Old Men) PT Anderson (There Will Be Blood) The Coens (No Country for Old Men) Christopher Hampton (Atonement) The Coens (No Country for Old Men)
Original Screenplay Diablo Cody (Juno) Diablo Cody (Juno) Diablo Cody (Juno) Diablo Cody (Juno) Diablo Cody (Juno)
Visual Effects Pirates of the Carribean: At World's End Transformers Pirates of the Carribean: At World's End Transformers  The Golden Compass
Art Direction Atonement Sweeney Todd There Will Be Blood Sweeney Todd  Sweeney Todd
Editing The Diving Bell and the Butterfly The Bourne Ultimatum No Country for Old Men No Country for Old Men  The Bourne Ultimatum
Costumes La Vie en Rose Sweeney Todd Atonement Elizabeth: The Golden Age Elizabeth: The Golden Age
Cinematography Atonement The Diving Bell and the Butterfly No Country for Old Men The Diving Bell and the Butterfly  There Will Be Blood
Supporting Actress Cate Blanchett Cate Blanchett Cate Blanchett Cate Blanchett  Tilda Swinton
Supporting Actor Javier Bardem Javier Bardem Javier Bardem Javier Bardem  Javier Bardem
Actress Marion Cotillard Laura Linney Julie Christe Julie Christe  Marion Cotillard
Actor Daniel Day Lewis Daniel Day Lewis Daniel Day Lewis Daniel Day Lewis Daniel Day Lewis
Director The Coen Brothers The Coen Brothers
The Coen Brothers The Coen Brothers  The Coen Brothers
Picture No Country for Old Men No Country for Old Men No Country for Old Men No Country for Old Men  No Country for Old Men
Total Correct 8 7 7 8  

 


   

Could “Avatar” Win Best Picture?

By Brett Hogan

 

Last week, the trailer for James Cameron’s sci-fi experiment “Avatar” debuted. While initially unimpressed with the teaser, I began to wonder: Could this film win best picture? 

 

Buzz has been generating for this movie for years. Years. The technology to make this movie didn’t exist when Cameron conceived it, so he invented it. When is the last time you heard of a director spearheading the invention of anything? The casting started in 2005. Most movies these days, even epics, are done in half that time. I could go on. 

 

The most important thing to take away from all of this is that people are saying this will be the future of movies. Now, I don’t agree with the idea that CGI will become more prevalent than it already is. But I do believe that this will set the bar miles higher for sci-fi. I mean, that is what Titanic did. And that won some awards if memory serves.

 

I’ll bet you’re asking yourself, how can you even suggest that a film like this will win Best Picture when the initial trailer was nothing better than visual stimulation? Well, there are a couple of reasons. First, the Academy has expanded Best Picture to ten films. This doesn’t guarantee anything other than improved chances for most films on the cusp.

 

Second, after last year’s Oscars debacle, which saw the best film of the year, “The Dark Knight,” not only get shafted in awards but nominations as well, the Academy is pulling out all the stops to appease those with the loudest voices in the film industry, the fanboys. Now, the Academy probably didn’t lose anything because of that other than some viewers of the award show. Perhaps if people are again outraged with the winners or nominees, the heads of the Academy would lose their jobs. So this is all about the Academy protecting itself, which is not so outrageous.  

 

 

Third, there is an economic motive here. I’ve heard this film will cost $190 million, not counting the R&D costs associated with Cameron’s inventions or the cost of getting 3-D cameras into every theater in the country. The Academy will do everything in its power to get people into the seats and make this the next “Titanic” or “The Dark Knight.” But the Academy doesn’t have much power, besides nominating and awarding, so they will slap the “Nominated for Best Picture” moniker onto every commercial and print ad to get the people who didn’t believe the critics to relent and see this movie.

 

Of course, all of this is pure conjecture, and no revolutionary film (Terminator 2, Jurassic Park, etc.) has ever won the Best Picture category because it changed the game. Except maybe Titanic. But still, could this movie actually win? My answer is no but a nomination is certain and who knows what could happen from there. We’ll know more come February 2010.